Etiquetas

Shoden level content; only on notes about the course, sekibaku or Yagami Ryu.
1.1.1 What is shibari?
1.1.2 What is eroticism?
1.1.3 Key concepts
1.1.4 Cultivating eroticism
1.1.5 Personal responsibility
1.2.1 Anatomical restriction
1.2.2 The body (I)
1.2.3 The body (II)
1.2.4 Risks
1.2.5 Hypermobility
1.3.1 Sociocultural background
1.3.2 Uncomfortable truths
1.3.3 Japanese aesthetics
1.4.1 The function of rope
1.4.2 Jute and shibari
1.4.3 Base knot
2.1.1 Posture
2.1.2 Balance and equilibrium
2.1.3 Mobility
2.1.4 Dynamic range
2.1.5 Activation
2.1.6 Tension
2.2.1 The Japanese era system
2.2.2 Origins
2.2.3 Evolution
2.2.4 The contemporary period
2.3.1 Sabaku
2.3.2 Session disruptors
2.3.3 Untying
2.3.4 Learning
2.4.1 How to practice
2.4.2 Rope safety
2.4.3 Posture exercises
2.4.4 Posture and balance exercises
2.4.5 Video guide: the Velcro theory
2.4.6 Ikue Shibari
3.1.1 Understanding the erotic nature of shibari
3.1.2 Emotional reaction
3.1.3 Behavior
3.1.4 Eroticization and the erotic map
3.1.5 Emotional safety
3.1.6 Forces and directions
3.2.1 Managing behavior
3.2.2 Anatomical restriction
3.2.3 Geometry
3.2.4 The triangle theory
3.2.5 Touch
3.2.6 Anatomical risks
3.3.1 Conscious process
3.3.2 Dynamic range
3.3.3 Forearm Shuto (手刀)
3.3.4 Capture
3.3.5 Kote Tori (小手取り)
3.3.6 Arms behind the back
4.1.1 Anatomy
4.1.2 Arms behind the back
4.1.3 Hands in front
4.1.4 Arms raised overhead
4.2.1 Figures and forms
4.2.2 Koden
4.2.3 Koden II
4.2.4 Koden III
4.3.1 Managing erotic desire
4.3.2 The mental schema of desire
4.3.3 Desire in the erotic context
4.3.4 Knowing, accepting, and satisfying yourself
4.4.1 Definition
4.4.2 Structure
4.4.3 Biomechanics
4.4.4 Application
4.5.1 Risks
4.5.2 Compensations
4.5.3 Nerves
4.5.4 Prevention
4.6.1 First line
4.6.2 Second line
4.6.3 Closure and bolt
5.1.1 Sexuality in the Edo period
5.1.2 Rape culture in Japan
5.1.3 Striptease in Japan
5.1.4 The new AV Law
5.1.5 Shame: exposure and vulnerability
5.2.1 Pain
5.2.2 Wrists
5.2.3 Neural mobilization
5.2.4 Seiza
5.2.5 Pelvic muscle control
5.2.6 From the floor to the air
5.3.1 Kannuki
5.3.2 Kaeshinawa
5.3.3 Futumomo
5.3.4 Koshi nawa
5.3.5 Ipponshibari
5.3.6 Kubi shibari
5.3.7 Muri
5.4.1 Communication
5.4.2 Threat
5.4.3 How much force
5.4.4 Equity
5.4.5 Kankyu
5.4.6 Ma and maai
5.4.7 Nagare
5.5.1 The Sekibaku itinerary
5.5.2 The cycle of desire
5.6.1 Definition
5.6.2 Function
5.6.3 Posture and balance
5.6.4 First line
5.6.5 Second line
5.6.6 Third line
Sekibaku (責縛) — Characteristics of the style
Shoden Keito (初傳系統)
Yagami Ryu (鵺神流): how is this system of study structured?